'Flower Power' performance by Penelope Thompson, VIAF festival, 2009 Yeouido Cherry Blossom festival, Seoul

On April 10 and 11, 2009 I did a street performance entitled "Flower Power" as part of the VIAF festival in Seoul. This was the 'Various Integrative Artistic Festival' held in conjunction with the cherry blossom festival on the island of Yeouido in the Han River in Seoul.

The theme of the festival was "flowers bloom in the sky" referring to the multitudes of cherry blossom trees lining the streets, showering their petals down like pink snow in the breeze.

I chose to create a special new performance for this festival called "Flower Power", as I wanted to give a message to busy city people to slow down and enjoy the beauty of life.

I commenced the performance dressed in a black suit and briefcase, rushing along like a typical Seoulite. However, when I answered my cell phone on-the-run, a colorful paper flower popped out. And when I checked my watch a flower appeared with a message to "slow down!" . Even my glasses case and diary carried similar floral messages, and finally even my laptop computer opened to reveal an entire bouquet of spring flowers.

My wallet seemed to contain only some paper discs which then unfolded to become colorful blooms saying "show your colour" which I stuck on my suit. As I searched in my briefcase I discovered more and more of these paper discs, which I offered to the audience to unfold and read the various messages inside. People then attached these flowers to velcro on my suit and before long I was transformed into a walking floral arrangement, enjoying the spring day to the tune of "Feelin' Groovy".

More photos and video of performance coming soon!

Scrapyard Challenge art project workshop, SangsangMadang, Hongdae Nov 27-29

I took part in the Scrapyard Challenge workshop at SangSangMadang Gallery held in Seoul on November 27, 28 & 29, 2008.

The Scrapyard Challenge Workshops are intensive workshops where participants build simple electronic projects (both digital and analog inputs) out of found or discarded "junk" (old electronics, clothing, furniture, outdated computer equipment, appliances, turntables, monitors, gadgets, etc..)

The MIDI Scrapyard version includes a mini workshop where participants build simple drawing robots or "DrawBots" with small, inexpensive motors, batteries, and drawing markers that can also be connected to Serial or MIDI interface. You can see my 'drawbot' in the photo below:





















I called it a 'cowbot' because it was made out of a plastic milk bottle!
There is a video of the drawbot in action below:


At the end of the day or evening, the workshop participants have a small performance, concert, or fashion show where they demonstrate and present their creations together as a group. No electronics skills or any experience with technology is necessary to participate in the workshops.

I created a musical hat made from an old metal sieve that played different 4 notes as pieces of scrap metal hanging from pipe cleaners bounced on its surface,

and I also made an electronic "castanet" out of an old cell phone.


Here's video of the final performance jam:






These workshops have been run all around the world by New York artists Jonah Brucker Cohen and Katherine Moriwaki. See the website www.scrapyardchallenge.com.

"Here & Now" opening performance, Danwon Arts Center, Ansan

Yesterday, I was invited to do the opening performance for the Korea Contemporary Art 1000 Artists Exhibition, held in the Danwon Arts Center in Ansan City, just south of Seoul.
This performance was called "Here & Now " and was a symbolic tea ceremony to celebrate the passion and creativity of the 1000 artists who joined together for this exhibition.


The artist rolls a circular black table symbolizing "now" until it intersects with a square black box symbolizing "here".




At the meeting point of "here and now", the artist inscribes these words in Korean and English and then begins to set up the table to perform a ritual tea ceremony.



A square black silk cloth is laid under the round table, and a square gold teatray,and jars of various spices are laid out.



The artist creates a multicultural and fragrant blend of tea and five different spices that are labelled (in Korean and English) as "courage", "passion", "persistence", "self-belief" and "audacity".

These spices represent some of the qualities that artists need to continue to create uplifting and inspiring art in a world that is all too often focused on destructive and materialistic endeavours.

The teapot is marked with an infinity sign, symbolizing the infinite power of human creativity and the infinite power of the "now" moment.


Thus the tea is called "infinitea", and the audience members are all invited to drink the tea to share in the special energy of the creative "now" moment.
You can see a video below:

Portrait of foreign artist in Korea, 2007 - performance and installation by Penelope Thompson

On Tuesday, December 11, I presented the opening performance for an international group exhibition in Ulsan, Korea.
The group is called I.C.C. - International Creative Community - founded in 2006 by Australian artist Lainie Cooper and Korean artist Kim Chang han. I joined the group a few months ago, as I had not been involved in the Ulsan arts scene previously and I liked the strong Aussie connection.

The title for the exhibition is 'Impressions from Afar - A Visitor's Perspective', and it will continue at the Bukgu Culture & Arts Center, in Ulsan until December 20, 2007. All the contributing artists were asked to create artworks based on their impressions of a foreign country, so the Korean artists exhibited works based on their overseas travels to countries such as India , Australia or Africa, and the foreign artists created works based on their experiences in Korea. Some Australian ICC member artists sent over work based on their cultural exchange trip to Korea in June 2007.



For this exhibition I decided to prepare an installation and performance similar to my very first art performance in Korea (Portrait of a foreign artist in Korea') that I did in Sungsan Art Hall, Changwon in February 2004. Click here to see 2004 performance .

The reason I chose to revisit this theme is simple - being an artist for a foreigner like me in Korea is still technically illegal under immigration law. It's a Catch 22 situation - there are no visas available for self-funded artists to stay in Korea, (only short 6 month Arts & Entertainment visas for entertainers sponsored by large companies), so to live here and experience Korean culture and make art, I have to remain an English teacher, but on an E2 teaching visa I am actually not allowed to partcipate in any other activities, even as a volunteer!

There was big kerfuffle last year when some Busan teachers put on a play for the foreign community and were subsequently raided by the police, arrested, and threatened with deportation. So it came as a shock for me to realise that three and a half years after my initial artwork on this theme, as a foreign artist I am still dealing with the same immigration status issue, long working hours as an English teacher, less than ideal living conditions, and little time to make art. Although I worked very hard to secure a higher level university teaching job that promised short hours and long vacations, those conditions failed to materialise.... It seems like it's time for a new plan of action.

In my performance, I begin zipped up inside a large suitcase and emerge to the ringing of an alarm clock. I hang the clock on the wall in a prominent position.
Then, I pull out a painting from the suitcase of an Australian native bird that I painted in Australia several years ago, and brought with me when I came to Korea. This painting shows the bird extending its wings while its feet are still firmly on a branch of a dead tree.

I contemplate the painting, open a new sketchbook, and sharpen a pencil.



But a quick glance at the clock shows me it is time to prepare for my teaching job. So I put on my white shirt and formal black suit, covering up my comfortable colorful clothes, then zip up some hard black boots and proceed to teach an English lesson to the audience.



I pull out a whiteboard marker and draw an equals sign next to the clock on the wall.



I ask the "class" to guess which common English expression regarding time I am trying to demonstrate. When I stick a 10,000 won note after the = sign the message is clear - "time is money". I ask the class to practice the saying with great enthusiasm, and then my English class is over.

Returning to the suitcase, I remove my teaching costume and begin to place the clothing very carefully on the hanger, arranging it so it looks like a person might still be inside. I take the whiteboard marker and quickly sketch a self-portait of my face in the sketch book. I tape this picture to the coathanger holding the suit of clothes, and arrange the boots so they stand to attention underneath the hanging skirt.
The final touch is to add lipstick to my self- portrait.

Then with more energy, I unwrap a new large paintbrush and a tub of red paint and paint a thick line through the "time is money" - blotting out the clock, the = , and even the 10,000 won note.
I write graffiti in large red letters on the wall - ART IS LIFE!.

Finally, smiling, and with brush and paint in hand I leave the scene of the crime!

Here's the video of the performance:



Note for those in Korea:
You can see the exhibition (free entry) at Bukgu Culture & Arts Center Gallery, 1010 Saneopro, Bukgu, Ulsan until Dec. 20. Gallery enquiries Tel: 052-219-7400
Membership of I.C.C. is open to any emerging or established artists of any nationality who are interested in cultural exchange. Please contact Kim Chang Han: Tel: 018-591-3338

The Elements#2 - Goryeong International Performance Art Festival 2007

I was invited to the Goryeong International performance Art Festival in central Korea for the second time on October 20, 2007.There were several performance artists from countries including Japan, Australia, and Korea.

My performance title was "The Elements#2" - in which I made art using only the four elements of fire, earth, water and air.
This was a site specific performance and my performance area was a lovely stone sculpture set in the garden of the Goryeong Artists' Village.


At first I set up 4 glass cups, and added to each cup one of the elements - some rainwater, a burning candle, some air, and some earth from the surrounding garden.


I then proceeded to make an origami box from a large piece of paper.





When my paper-folding was complete I inflated the paper box with my breath (air).




I then mixed the earth and water together to make a painting medium.











With a calligraphy brush I painted ancient alchemical designs representing each of the 4 elements on the sides of the box.

These traditional symbols are based on the form of the triangle - a point-up triangle for fire, point-down for water etc.





To end the performance, I took fire from the candle flame and burned the box to ashes, and doused the smouldering remains with water - thus completing my use of the elemental quartet.





You can watch a 5 minute video below:

Goyang International Sculpture Symposium, Korea - 'The Beauty Myth', opening performance

On October 2, I was invited as a foreign artist to make an opening performance for the 3rd Annual Goyang International Sculpture symposium. Goyang is located in the north-western part of Korea, close to the border with North Korea. The city is newly affluent and has set out to provide a special focus on culture and arts for its citizens, including an enormous and beautiful lakeside sculpture park. This sculpture symposium invited many renowned Korean and international sculptors, who spent 2 weeks creating large permanent sculpture works for the lakeside park.

I chose to perform 'The Beauty Myth' again here because of the 'body as sculpture' aspects of this performance art piece. This performance was similar to previous performances of 'The Beauty Myth' , except for a new ending. I had been researching images of the goddess in different cultures and I had been intrigued by Kali, the dark-skinned Indian goddess of power, life and death.


The ferocious energy of Kali seemed to be the perfect counter-balance to the passive stillness of the white-robed statue woman in the first part of the performance. So when the woman tires of performing as the "beautiful object" and goes within,
she gathers all her repressed energy and emerges as a wild, black-clad, empowered woman. She wields a knife in one hand and the blonde hairpiece like a severed head in the other. This symbolizes killing off the old self, and cutting the ties that bind her to the old ways.


To end the performance she silences the ringing alarm clock with a single thrust of the knife, to show that she has conquered time.

Chungju International Performance Art Festival, Korea

On Wednesday, September 12, I travelled to Chungju City to take part in the Chungju International Performance Art Festival.

The venue was a traditional old Korean building and there were many schoolchildren in attendance as there was also an art competition for the students to paint or draw the performance artists.

My performance was 'The Beauty Myth', which I had previously performed in 2005 at the Seoul Experimental Art Festival. This performance shows an image of a woman passively waiting to be rewarded for conforming to society's ideal of beauty.


Her style combines elements from classical sculpture of female form, the traditional white wedding dress and modern fashion magazine ideals of beauty.

She is watched by a man who gives her gifts of balloons, which she blows up but which burst or fly away. In this way the artist is questioning the real value of rewards received by women for conforming to the ideals of the “Beauty Myth”.

Finally, the woman chooses to emerge from her restrictive costume, and the performance of 'The Beauty Myth' is over.












After the performance the schoolchildren pulled out their sketchpads and paints.

There were hundreds of children painting or drawing their favorite performance artists for the art competition.You can watch a short video of the children painting here:



The "lady in the white dress" was a popular subject!

'Treasure' an artists' book by Penelope Thompson

I recently finished an 'artists' book' for an exhibition in Australia - the annual BOOKS.07 'works of imagination' invitation exhibition held at the Noosa Regional Gallery, Queensland, Australia. The theme for this year's exhibition was "the search for the impossible".

I chose to explore the universal human search for treasure and I created a small treasure chest with many compartments. Inside the compartments I placed different objects such as coins, maps, pearls inscribed with text and these became the "pages" of my book.


My artwork may not resemble a book at first glance, but when we consider the dictionary definition of a book is "a collection of pages, bound or unbound, contained within a cover so as to form a material whole" it is most certainly an artists' book (which may sometimes be called a bookwork).
The title of the work is simply treasure 'Treasure' and it is intended to be handled as an interactive artwork that progressively reveals its meaning to the viewer.
The first level consists of an antique world map with the "X" marking the spot of treasure - on a mirror, so the viewer will see a self-reflection within the treasure map.

The second level contains gold coins, each inscribed with a word. Together these coins spell out the proverb "all that glitters is not gold".


There is also a small folded parchment - which includes the words "seek and ye shall find".






Then, upon opening the third level - the viewer will discover a string of pearls each bearing a subtly marked word; "Be", "here", and "now" repeating in order over and over again - like prayer beads.




You can see a short video of the "Treasure" chest being opened and closed below.
Treasure - an artists' book by Penelope Thompson

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