Showing posts with label Korea. Show all posts
Showing posts with label Korea. Show all posts

Saturday, December 15, 2007

Portrait of foreign artist in Korea, 2007 - performance and installation by Penelope Thompson


On Tuesday, December 11, I presented the opening performance for an international group exhibition in Ulsan, Korea.
The group is called I.C.C. - International Creative Community - founded in 2006 by Australian artist Lainie Cooper and Korean artist Kim Chang han. I joined the group a few months ago, as I had not been involved in the Ulsan arts scene previously and I liked the strong Aussie connection.

The title for the exhibition is 'Impressions from Afar - A Visitor's Perspective', and it will continue at the Bukgu Culture & Arts Center, in Ulsan until December 20, 2007. All the contributing artists were asked to create artworks based on their impressions of a foreign country, so the Korean artists exhibited works based on their overseas travels to countries such as India , Australia or Africa, and the foreign artists created works based on their experiences in Korea. Some Australian ICC member artists sent over work based on their cultural exchange trip to Korea in June 2007.



For this exhibition I decided to prepare an installation and performance similar to my very first art performance in Korea (Portrait of a foreign artist in Korea') that I did in Sungsan Art Hall, Changwon in February 2004. Click here to see 2004 performance .

The reason I chose to revisit this theme is simple - being an artist for a foreigner like me in Korea is still technically illegal under immigration law. It's a Catch 22 situation - there are no visas available for self-funded artists to stay in Korea, (only short 6 month Arts & Entertainment visas for entertainers sponsored by large companies), so to live here and experience Korean culture and make art, I have to remain an English teacher, but on an E2 teaching visa I am actually not allowed to partcipate in any other activities, even as a volunteer!

There was big kerfuffle last year when some Busan teachers put on a play for the foreign community and were subsequently raided by the police, arrested, and threatened with deportation. So it came as a shock for me to realise that three and a half years after my initial artwork on this theme, as a foreign artist I am still dealing with the same immigration status issue, long working hours as an English teacher, less than ideal living conditions, and little time to make art. Although I worked very hard to secure a higher level university teaching job that promised short hours and long vacations, those conditions failed to materialise.... It seems like it's time for a new plan of action.

In my performance, I begin zipped up inside a large suitcase and emerge to the ringing of an alarm clock. I hang the clock on the wall in a prominent position.
Then, I pull out a painting from the suitcase of an Australian native bird that I painted in Australia several years ago, and brought with me when I came to Korea. This painting shows the bird extending its wings while its feet are still firmly on a branch of a dead tree.

I contemplate the painting, open a new sketchbook, and sharpen a pencil.



But a quick glance at the clock shows me it is time to prepare for my teaching job. So I put on my white shirt and formal black suit, covering up my comfortable colorful clothes, then zip up some hard black boots and proceed to teach an English lesson to the audience.



I pull out a whiteboard marker and draw an equals sign next to the clock on the wall.



I ask the "class" to guess which common English expression regarding time I am trying to demonstrate. When I stick a 10,000 won note after the = sign the message is clear - "time is money". I ask the class to practice the saying with great enthusiasm, and then my English class is over.

Returning to the suitcase, I remove my teaching costume and begin to place the clothing very carefully on the hanger, arranging it so it looks like a person might still be inside. I take the whiteboard marker and quickly sketch a self-portait of my face in the sketch book. I tape this picture to the coathanger holding the suit of clothes, and arrange the boots so they stand to attention underneath the hanging skirt.
The final touch is to add lipstick to my self- portrait.

Then with more energy, I unwrap a new large paintbrush and a tub of red paint and paint a thick line through the "time is money" - blotting out the clock, the = , and even the 10,000 won note.
I write graffiti in large red letters on the wall - ART IS LIFE!.

Finally, smiling, and with brush and paint in hand I leave the scene of the crime!

Here's the video of the performance:



Note for those in Korea:
You can see the exhibition (free entry) at Bukgu Culture & Arts Center Gallery, 1010 Saneopro, Bukgu, Ulsan until Dec. 20. Gallery enquiries Tel: 052-219-7400
Membership of I.C.C. is open to any emerging or established artists of any nationality who are interested in cultural exchange. Please contact Kim Chang Han: Tel: 018-591-3338

Thursday, October 04, 2007

Goyang International Sculpture Symposium, Korea - 'The Beauty Myth', opening performance



On October 2, I was invited as a foreign artist to make an opening performance for the 3rd Annual Goyang International Sculpture symposium. Goyang is located in the north-western part of Korea, close to the border with North Korea. The city is newly affluent and has set out to provide a special focus on culture and arts for its citizens, including an enormous and beautiful lakeside sculpture park. This sculpture symposium invited many renowned Korean and international sculptors, who spent 2 weeks creating large permanent sculpture works for the lakeside park.

I chose to perform 'The Beauty Myth' again here because of the 'body as sculpture' aspects of this performance art piece. This performance was similar to previous performances of 'The Beauty Myth' , except for a new ending. I had been researching images of the goddess in different cultures and I had been intrigued by Kali, the dark-skinned Indian goddess of power, life and death.


The ferocious energy of Kali seemed to be the perfect counter-balance to the passive stillness of the white-robed statue woman in the first part of the performance. So when the woman tires of performing as the "beautiful object" and goes within,
she gathers all her repressed energy and emerges as a wild, black-clad, empowered woman. She wields a knife in one hand and the blonde hairpiece like a severed head in the other. This symbolizes killing off the old self, and cutting the ties that bind her to the old ways.


To end the performance she silences the ringing alarm clock with a single thrust of the knife, to show that she has conquered time.

Sunday, September 16, 2007

Chungju International Performance Art Festival, Korea

On Wednesday, September 12, I travelled to Chungju City to take part in the Chungju International Performance Art Festival.

The venue was a traditional old Korean building and there were many schoolchildren in attendance as there was also an art competition for the students to paint or draw the performance artists.

My performance was 'The Beauty Myth', which I had previously performed in 2005 at the Seoul Experimental Art Festival. This performance shows an image of a woman passively waiting to be rewarded for conforming to society's ideal of beauty.


Her style combines elements from classical sculpture of female form, the traditional white wedding dress and modern fashion magazine ideals of beauty.

She is watched by a man who gives her gifts of balloons, which she blows up but which burst or fly away. In this way the artist is questioning the real value of rewards received by women for conforming to the ideals of the “Beauty Myth”.

Finally, the woman chooses to emerge from her restrictive costume, and the performance of 'The Beauty Myth' is over.












After the performance the schoolchildren pulled out their sketchpads and paints.

There were hundreds of children painting or drawing their favorite performance artists for the art competition.You can watch a short video of the children painting here:



The "lady in the white dress" was a popular subject!

Sunday, June 17, 2007

"Lake of Dreams" performance - 'Right time' Performance Art Festival, Goryeong, Korea


On June 16 I was invited to Goryeong in central Korea to do an outdoor performance. This new performance was entitled 'Lake of Dreams'.

I commenced by walking across the grassy space dragging a black box tied to me with a hemp rope. Jangling temple bells hung from my shoulder and I played a single breathy note on a flute.




With ritual-like movements I set up a traditional Korean table and placed various small, symbolic objects on the table top.
I folded a Korean 1000 won note into an origami paper boat and then poured water until the table top became like a miniature lake, with the objects submerged and the money boat floating.

Three rounded stones were stacked in the center of the 'lake' like an island or a traditional Korean Buddhist stone cairn.







I played a single note on the flute, making the wind from the instrument cause the boat to sail around the lake.




Finally, I walked away playing a melody -
leaving the box and the objects in the lake behind me.

Tuesday, December 19, 2006

ONE ART STREET - "Here & Now" performance by Penelope Thompson


Today I did a performance for the opening of the ONE ART STREET exhibition at the Baeksan Memorial Hall in Jungangdong, Busan.This was a mixed exhibition from both local Korean and foreign artists - including photography, sculpture, painting, performance etc. - on show until Dec 28, 2006.

The area around the exhibition site was historically the real hub of art activities in Busan. It was known in earlier days as 'Art Street' and local artists want to see it happening again, to counteract the big shift of artistic happenings to the wealthy Haeundae area. My performance was called "Here & Now (TEAROOM no. 1)" and was a symbolic ceremony to celebrate the rebirth of the art scene in the area.

My performance was also a reaction to the Busan Biennale which finished recently, with the theme of art "everywhere" and CAFE (contemporary art for everyone). I wanted to show art as being "here & now" made by local artists and accessible to local people - and in the format of a traditional Korean tearoom, not a westernised notion of a cafe.

In the performance the artist rolled a circular black table (symbolizing "now") until it intersected with a square black box (symbolizing "here").

At the meeting point of "here and now", the artist performed a symbolic , ritual tea ceremony - concocting a multicultural and fragrant blend of tea and spices.

The spices were labelled (in Korean and English) as "courage","passion", "persistence', "self-belief" and "patience" -representing the qualities that artists need to make art. This was also relevant to the exhibition venue being the Memorial Hall for the Busan citizens' resistance against the Japanese colonial forces during the first part of the 20th century.

The tea was prepared in a teapot marked with an infinity sign, symbolizing the infinite power of human creativity and the infinite power of the "now" moment. The tea was called "infinitea".The audience members were all invited to drink some "infinitea" and thus share in the special energy of the moment.
Watch a short video of the performance:
Here & Now- TEAROOM No1- performance art by Penelope Thompson

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Saturday, April 22, 2006

Artist's CV 2006 - Penelope Thompson




Family name: THOMPSON
Given name: PENELOPE
Date of Birth : 1964 / 05 / 13
Nationality : Australian
Gender : Female
Address : Seoul City, KOREA
Email : thompson_penny (AT) yahoo (dot) co (dot) uk

Education
1983/84 R.C.A.E., Wagga Wagga, NSW, Australia. Studies in Diploma of Visual Arts
1987 Adelaide T.A.F.E., South Australia. Certificate of Theatre Arts
1990 G.C.I.T. , Gold Coast, Queensland, Australia. Certificate of Instructional Skills (teaching)
1994 Noarlunga T.A.F.E., South Australia. Certificate of Contemporary Music
1997- 1999 University of the Sunshine Coast, QLD, Australia. Bachelor of Visual Art & Design
2005-2008 - University of Southern Queensland, Australia. Masters Degree of Education.

Exhibitions
Solo Exhibitions
1998 MCU, Maleny, Queensland, Australia. Solo exhibition paintings and photography.

Selected Recent Group Exhibitions

2004 Feb. ‘Reflective Light’ International Artist’s group exhibition (Opening performance and installation - ‘Portrait of a foreigner in Korea’), Sungsan Art Hall, Changwon, Korea.
2004 May ‘The Beautiful Changwon Tree’ community installation and performance, Sungsan Art Hall, Changwon, Korea.
2004 July. “IDEAL” international group exhibition (Opening performance and installation - ‘Anonymous White Woman’) Okubo Gallery, Fukuoka, Japan
2004 September “International Image” exhibition, BFAA, (Installation ‘Anonymous white woman’) Busan City Hall Gallery, Busan, Korea
2005 May “Transition” Boomerang International Artists group exhibition (installation – ‘Made in Korea’),
In Gallery, Seoul, Korea
2005 Aug. “Black Hole” Boomerang International Artists (video installation) Ginza Gallery, Tokyo, Japan.
2005 Dec. KEAF, (video installation) Club Tool, Seoul, Korea.
2006 Jan. “Images of Korean Women” (video installation), Regional Gallery, Grand Forks, BC, Canada.
2006 March “Canadian Survival Apron” installation, Provincial Spirit International exhibition, Grand Forks Regional Gallery, B.C., Canada
2006 May "Canadian Survival Apron" installation, Tinhorn Creek Estate Art Exhibition, Oliver, B.C. Canada.
2006 May "Canadian Survival Apron" installation, ArtsWells festival, Wells, B.C. Canada.
2006, August "Raintrees" & "Dreamweaver" installations, Jeju Installation Art Festival, Jeju Island, Korea.
2006, August "Book of Bright Ideas" installation, Books 06, Noosa Regional Gallery, Queensland, Australia.
2006 September "Book of Bright Ideas" installation, Busan Fine Arts Association, Citizens Hall, Beomildong, Busan, Korea.
2007 June "Canadian Survival Apron" installation, Eumundi Food Festival, Queensland, Australia.
2008 - April "Canadian survival apron" installation, Upfront Aprons exhibition, Maleny, Qld, Australia.

Recent Performances

2004 – Feb. ‘Portrait of a foreigner in Korea’, Reflective Light, Sungsan Art Hall, Changwon, Korea.
2004 – April. “Beautiful Changwon Tree”, Sungsan Art Hall, Changwon, Korea.
2004 - July. ‘Anonymous White Woman’, opening of “IDEAL”, Okubo Gallery, Fukuoka, Japan.
2004 July ‘Anonymous White Woman’, BIPAF, Hyundai Theatre, Bucheon, Korea.
2004 August “Return of the Sea Goddess”, Busan Sea Festival, Gwangali Beach, Busan, Korea.
2004 August ‘Anonymous White Woman’ KIPAF, Jikjisa Culture Park, Gimcheon, Korea.
2004 August ‘Anonymous white woman’, Samcheonpo International Open Air Arts Festival, Sacheon, Korea.
2004 August ‘Anonymous white woman’, JUMF, Juan Station, Incheon, Korea.
2004 Dec “Making world peace”, Chilwon Middle school, Chilwon, Korea

2005 Jan ‘Strands of Life’, Wayguks –the art of foreigners, Naewoedong Cultural Centre, Gimhae, Korea
2005 Jan ‘Strands of Life’, Boomerang International Group, Montmartre Gallery, Haeundae, Busan, Korea.
2005 July “Making World peace”, BFAA International Festival, Eulsukdo Cultural Center, Busan, Korea.
2005 July “The Beauty Myth”, BIPAF, Bucheon Station Shopping Mall, Bucheon, Korea.
2005 August ‘Making world peace’, Dalmaji Philosophy Festival, Dalmaji Park, Busan, Korea
2005 August “Making World peace”, DIPAF, Yeolrin Art Hall, Ansan, Korea.
2005 Sept “World Peace Production Room”, PAAF 2005 Banweol Art Hall, Pocheon, Korea.
2005 Oct “Great Australian Tea Ceremony” Arirang World Festival, Jeongsong, Korea
2005 Oct “Fly Away” Wangsan Performing Arts Festival, Gangneung, Korea.
2005 Dec. “The Beauty Myth” K.E.A.F., Club SAAB, Seoul, Korea.

2006 March “The Canadian Survival Apron” performance, Grand Forks Regional Gallery, B.C., Canada
2006 March “Enlightenment” performance, opening of ‘Move on Asia – Clash & Network’, LOOP Alternative Space, Hongdae, Seoul, Korea.
2006 April “In & Out” and “Enlightenment”, Jeonju International Performance Art Festival (JIPAF 2006), Gaeksa and Wansan Cultural Center, Jeonju.
2006 April “Penny’s World Peace Production Workshop” full day community art event, Hangang Flower Festival, Seoul.
2006 July "The Great Australian Tea Ceremony" & "Illusions" Mokpo Madangkuk Festival 2006, Jeolla province, Korea.
2006 August "The Elements" Goryeong International Performance Art Festival, Goryeong, Gyeongsangbukdo, Korea.
2006 December "Here & Now", opening performance for 'One Art Street' International Art Festival, Busan, Korea.

2007, June "Lake of Dreams" performance for 'Right time' performance festival, Goryeong Arts Village, Korea.
2007 - Sept. "The Beauty Myth #3", Chungju International Performance Art Festival, Chungju City, Korea.
2007 - Oct. "The Beauty Myth #4", opening performance for Goyang International Open Air Sculpture Symposium, Goyang City, Korea.
2007- Oct. "The Elements #2" Goryeong International Performance Art Festival, Goryeong, Korea.
2007 – Dec “Portrait of a foreign artist in Korea, 2007” opening performance, I.C.C. international exhibition, Bukgu Culture & Arts Center, Ulsan, Korea.

2008 - Oct. "Here and Now" opening performance for Korea Contemporary Art '1000 artists' exhibition, Danwon Arts Center, Ansan, Korea.

Other Arts Activities:
1996 -1999 Artist for Chenrezig Tibetan Buddhist Centre, Eudlo, Queensland, Australia.
1999 Assistant artist Asia Pacific Triennial (AP3), Queensland Art Gallery, Brisbane, Australia.
1998 - 2000 Creative arts workshop facilitator, Sunshine Coast, Queensland, Australia.
1998 – 2000 Musician, composer and arranger in folk and world music styles, Queensland.
1998 – 2000 Singing teacher and workshop facilitator – Maleny, Queensland, Australia
2000 Arts worker, Woodford Festival Visual arts section, Woodford, Queensland, Australia.
2004 Performance art project advisor, Dongju College, Busan, Korea.
2005 Interviewed by Arirang TV, on “Heart to Heart” Dec 20, 2005, Seoul, Korea.
2007 to 2008 - Arts columnist for Korea Herald national newspaper, Seoul, Korea.